Built in the second half of the thirteenth century and rebuilt in the twenties and fifties of the eighteenth century, this church, with the adjacent convent, constituted the first group of Augustinian settlement in the city, maintained until 1810. Gothic architecture preserves, and two side windows and a door on the left outer, The bell courses of stone with pink and white bell tower with mullioned windows open ogival. Attributed to Rocco da Vicenza, the lateral portal finely carved, Seminar by the square behind that leads into the transept, testifies, instead, interventions fifteenth-sixteenth.

The facade of the church, made between the 1748th 1750 Caesars by Nicolò and Francesco Antonio Bettini designed by Peter Loni, There are four Corinthian columns and two stone statues symbolic. Under the eardrum dedicatory inscription recalls the name of the brother Generoso Cialdelli, administrator of the convent and the last representative of this family that financed the works of the façade and some chapels. The port settings have been carved by the local Arts and Crafts School of Tito Buccolini and replace the old ones, made in the late fifteenth and go burned in an arson attack of 27 August 1881.

All’internal, on the first altar on the left of the canvas Jesi Dominic Valeri, Charity of St. Thomas of Villanova, Blessed Alonso de Orozco and St. John St. Facondo; on the second altar Our Lady of the Girdle (1593), Table of happy Damiani Gubbio.

In the presbytery there is a large architectural structure of wood carved and gilded shrine enclosing a niche held by two angels, within which preserves the image of Our Lady of Tears (Seventeenth century). On the sides of the statues St. Augustine, of San Tommaso da Villanova e angeli; at the top of the statues Justice and Fortress.

Also in the chancel, two paintings on the walls: left Charity of St. Thomas of Villanova, Thomas Nasini, Destra Miracle of St. John of San Facondo, attributed to the "Painter of the People".

On the first altar on the right canvas The Guardian Angel and St. Catherine and Agatha, probably Foligno Liborio Coccetti. In the third altar on the right Adoration of the Shepherds, Ventura Salimbeni of Siena, signed and dated 1610.

Urn on the altar of the chapel you can admire the seventeenth century with the body of Blessed Tommasuccio, Franciscan preacher and poet. The painting, depicting The blessed in glory Tommasuccio, is attributed to Gian Domenico Mattei. The chapel was a time of family patronage Poggi, the crest of which appears under the arch of access, the gilded wooden shrine placed on the urn, in the stuccos that decorate the chapel and in the floor.

In the sacristy you look at the painting of the representing Foligno Enrico Bartolomei The Saints Feliciano and Emidio, to protect the city after the earthquake 1832.

The vault of the church is decorated with fresh Glory of St. Augustine, work attributed to Liborio Coccetti, and with the Faith, the Hope and Charity, an unknown author.

The walls of the nave depicting the present tempera monochrome Cardinal Virtues, which top four niches with statues of St. Jerome, Ambrose, St. Gregory and St. Augustine.

In the right transept chapel dedicated to the war dead, sponsored by the Association of War Invalids and Maimed and designed by Franco Antonelli in 1967. On the wall opposite, Crucifix wooden, no cross, the sixteenth century.